The avant garde movement in Russia was existence in 1949 to the year 1952, the term avant garde is a Russian term that means the front guards or the van guards, this term refers to the work that is usually meant for experimenting, this work include art and politics and also culture. The movement was meant to push the boundaries of norms and the status quo.
The Avant Garde movement in
Russia
Introduction:
The avant garde movement in Russia was existence in 1949 to the
year 1952, the term avant garde is a Russian term that means the front guards
or the van guards, this term refers to the work that is usually meant for
experimenting, this work include art and politics and also culture. The
movement was meant to push the boundaries of norms and the status quo.
This paper discusses the avant garde movement and the work of some
Russian artists who include Natalia Goncharova, Kazimir Malevich and Wassily
Kandinsky who were Russians. Kandinsky work introduced the use of form and colour
in painting, he actively contributed to the avant garde movement in that he
used form and colour to bring out the feelings he wanted to express to the
viewers of his painting, he also introduced the use of abstract painting and
created the independence of paintings to the forms of nature, this is evident
from the use of colours that do not resemble any living form in the world.
Natalia Goncharova on the other hand also played a role in the avant
garde movement in Russia in
that she was influenced to paint by the fact that the folk art of Russia to her
seemed to primitive, she therefore together with her husband worked to organize
the donkey tail art exhibition which led to the strengthening of this movement.
Kazimir Malevich also contributed to the avant garde movement of Russia
whereby he exhibited in many exhibitions which included the donkey tail
exhibition which was organized by Natalia Goncharova
Kazimir Malevich:
Kazimir Malevich was born in the year 1878 until his death in 1935,
he was popularly known for his painting and he was an avant garde painter in
Russia, in 1904 his aim was to join the Moscow school of painting and sculpture
and when this failed he studied the religious icons in Moscow, this is how he
began icon painting, in the year 1906 he began studying painting at the Rerberg
studio, whose purpose was to help him to join the Moscow college of painting. Kazimir Malevich
was considered an important member of the avant garde movement in Russia.
The avant garde paintings were meant to be those that enlightened
the viewers of these paintings, Malevich created ant German propaganda and he
also wrote slogans on paintings that were drawn by other painters.
Natalia Goncharova:
Natalia Goncharova was born in the year 1881 and dies in the year
1962, she was an avant garde artist in Russia and she was the wife of a
poet named Alexander Pushkin. She undertook her art studies in the academy of
art in Moscow; she
organized the Donkey tail exhibition of 1912.
Wassily Kandinsky:
Wassily Kandinsky was born in 1866 and dies in the year 1944, he was
a painter, an art theorist and a print maker, he was one famous painter in that
he was credited for painting the first abstract work that is considered modern.
He joined the University of
Moscow where he studied economics and
law, he started painting art the age of 30 and in 1896 he joined the Munich school of fine
art, he is considered an avant garde painting member.
Role of Russian Orthodox
Icons on the Avant-Garde movement in Russia:
The role of Wassily
Kandinsky:
Wassily Kandinsky painting did not emphasis any human figure, his
paintings included a painting known as old Russia, this painting had the view
of peasants and the nobles before the wall of a town, this painting was highly colourful
and fanciful, the other painting was the riding couple painting of the year
1907, this painting depicted a man and a woman riding a horse, the man held the
woman with tenderness, his use of colour on this painting showed the use of colour
to express the artist experience on nature.
The other painting was the blue rider of the year 1903. This
painting was named the blue rider because it depicted a blue figure riding a
speeding horse through a rocky meadow, this technique used by him on this
painting led to the use of a similar technique that was used by painters in the
following years.
The year 1906 to 1908 Kandinsky spent of time travelling in Europe,
he was associated with the associate of the Blue Rose art group which was a
symbolic group of Moscow, he painted The Blue Mountain was painted at the time which
showed his trend toward pure abstraction painting, the painting was a blue
mountain which was flanked by two big trees, one was yellow, and the other one
was red. There were three riders and others crosses at the bottom of the
painting. The faces of the riders, clothing and their saddles were a single colour,
and none of the figures displayed real detail. The use of the colours in this
painting illustrated Kandinsky progress in art in which the colour was independent
of forms of nature.
The period1906 to 1908
paintings were composed of large and expressive coloured masses which
evaluated independence of colour from forms of nature, this therefore made
painters not to no longer to limit
themselves and this made them to superimpose and overlap in a free way to
create paintings that had extraordinary
forces.
Music also influenced the emergence of abstract art as music is an abstract
by nature. This is because music does not represent the exterior but to expresses
the inner feelings of the soul. Kandinsky in most occasions used music to create
his works. This is the reason why he referred to some of his paintings as
improvisations, while to others he referred to them as composition. The World
War one break in 1914 ended Kandinsky plans and he went back to Russia and in the year 1918 he dealt with cultural
development of Russia,
he joined the domains of art pedagogy and in museum. He taught in a program that
was based on the form and colour of painting.
Kandinsky taught in the Bauhaus which was architecture and art
school that was founded Walter, It dealt with plastic arts, his teachings were
based on the theory and practical application of plastic arts. This led to the development
of Kandinsky works on forms. This was particularly on different line forms
which led to the publication of his book in 1926 entitled Point and Line to
Plane.
In 1925 he produced his yellow red and blue painting, this work
showed Kandinsky constructivism and suprematism in painting, this included the
freedom of the treatment of planes that were rich in colours and magnificent
gradation, the yellow red and blue painting comprised of a number of forms
which was a yellow rectangle, a red cross and a dark blue circle, there were a
also straight lines dark lines, arcs, circles and coloured checkerboards which
contributed to the paintings complexity.
In the year 1939 he painted his last form, this was the Composition
IX which was highly contrasted with powerful diagonals and the central form
gave an impression of the human embryo in a womb. There were squares of colours
which were small and these coloured bands seemed to stand outwards against the
black background. Kandinsky works was therefore was characterized by certain
touches that were discrete and veiled
Kandinsky work on painting that analysis the use of form and colour
in painting shows his the inner
experience of painting which has lead to the development of an sensorial rich
work, his paintings are subjective forms
of experience, he therefore contributed to the avant garde movement in that he
used form and colour to bring out the feelings he wanted to express to the
viewers of his painting, he introduced the use of abstract painting and created
the independence of paintings to the forms of nature, this is evident from the
use of colours that do not resemble any living form in the world.
The roles of Natalia Goncharova
Natalia Goncharova was a prominent avant garde artist, a painter and
a costume designer she was inspired by the primitive folk art of Russia,
she used her work to emulate this by the use of elements such as fauvism and
cubism. With her husband Mikhail she developed Rayonism, They were also the
main initiators of the pre-Revolution avant garde organization, and this was
through their organization of the Donkey Tail art exhibition of the year 1912.
The organization of the
Donkey Tail art exhibition was seen as a break from European influence on art
and this led to the establishment of an independent school of modern art in Russia. The
influence of Russian Futurism is also evidence in Goncharova paintings.
Initially she was preoccupied with painting icons and the primitive Russian
painting, later she became famous work such as The Cyclist and Rayonnist works.
As the leader of the Moscow Futurists, they organized lecture
evenings as the Italian counterparts did. Goncharova was also involved with
graphic design. She was a member of the avant-garde group from when it was
founded in the year 1911.
Natalia Goncharova played a role in the avant garde movement in
Russia in that she was influenced to paint by the fact that the folk art of
Russia to her seemed to primitive, she therefore together with her husband
worked on new paintings such as the cyclist and her efforts to organize the
donkey tail art exhibition led to the strengthening of this movement.
The roles of Kazimir
Malevich:
Kazimir Malevich studied art in Rerberg studio, the studios
objective was to help students to join the art college
of Moscow, and In 1907 Malevich
exhibited two of his paintings at the Exhibition of the Community of Painters
in Moscow. He
would participate in the 15th and 16th Exhibitions, as well, before moving on.
The gouache work Rest dates from this period his painting of the year 1908
reflected his interest in folk art and icons.
In 1910 several exhibitions were organized by Mikhail and Goncharova
which Kazimir Malevich participated, in this exhibition he presented Bathers
and also two canvases. In 1911, he also participated in the Donkey's Tail
exhibition, in this exhibition he showed works that was in the neo primitive
style. He met Mikhail in the same year and they become life long friends.
Towards the end of the year 1911 he took part in the Union of Youth exhibition
and in 1912 he became a member of the Union of Youth.
He painted a number of works that were shapes that appeared to be
covered in metal, this work included such as Morning after a Snowstorm, Peasant
Woman with Buckets, The Knife Grinder and Woodcutter. Therefore it is clear
that Malevich also contributed to the avant garde movement of Russia whereby he exhibited in many exhibitions
and at the same time produced quality work that led to change the world of art
in Russia.
Discussion:
The entire artist in the avant garde movement led to a change in the
views and the work of art, through the organization of various exhibitions
where these artists exhibited their work contributed to a change to the
paintings that were to be produced later, these painters introduced new forms
of art. Some of the above individuals were actively involved in teaching art
which helped strengthen the avant garde movement.
The introduction of abstract form of art which was independent on
life forms or forms of nature made a turning point to art, paintings that were
later produced adopted this form of paining and this was due to the work of Kandinsky.
The painters also participated in exhibitions of which they themselves organized;
this led to more expression of use of elements in art that led to the change in
painting.
Conclusion:
The avant garde movement was existence in the year 1949 to the year
1952, the term avant garde means the front guards or the van guards, this term
refers to the work that is usually meant for experimenting, and these works
include art. The movement was meant to push the boundaries of norms and the
status quo. Some Russian artists who include contributed to the avant garde
movement include Natalia Goncharova, Kazimir Malevich and Wassily Kandinsky who
were Russians.
Kandinsky work introduced the use of form and colour in
painting to show inner experience of
painting which has lead to the development of an sensorial rich work, his
paintings are of subjective forms, he
therefore contributed to the avant garde movement in that he used form and colour
to bring out the feelings he wanted to express to the viewers of his painting,
he introduced the use of abstract painting and created the independence of
paintings to the forms of nature, this is evident from the use of colours that
do not resemble any living form in the world.
Natalia Goncharova played a role in the avant garde movement in
Russia in that she was influenced to paint by the fact that the folk art of
Russia to her seemed to primitive, she therefore together with her husband
worked on new paintings such as the cyclist and her efforts to organize the
donkey tail art exhibition led to the strengthening of this movement. Kazimir
Malevich also contributed to the avant garde movement of Russia whereby he exhibited in many exhibitions
and at the same time produced quality work that led to change the world of art
in Russia.
References:
Matei Calinescu (1987) The Faces of Modernity: Modernism and
Avant-Garde, McGraw Hill press, New
York
Renato Poggioli (1968) the Theory of the Avant-Garde, Harvard University Press, Harvard
Peter Burger
(1974) Theory of the Avant garde, McGraw Hill press, New York
Benjamin Buchloh
(2001).Neo avant garde and the Culture Industry, MIT Press, New York
Harold Rosenberg
(1972) the Definition of Art, Chicago University Press, Chicago
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