I did some editing once. It was for a school magazine. The submissions were many and the quality varied. I sighed and wondered how some people could submit something that even their best and most subjective friends would reject. But I’m a writer now, aren’t I? Whenever I send out an article or a story I hope that some editor isn’t shaking his or her head at my offering. Karma has come around to bite me on the posterior.
I did some
editing once. It was for a school magazine. The submissions were many and the
quality varied. I sighed and wondered how some people could submit something that
even their best and most subjective friends would reject. But I’m a writer now,
aren’t I? Whenever I send out an article or a story I hope that some editor
isn’t shaking his or her head at my offering. Karma has come around to bite me
on the posterior.
Once my
article has been accepted I’m thankful I no longer feel compelled to revise it.
A week or two later I will re-read it and realise that certain parts of it aren't as good as I originally thought. But it
is out of my hands. I have to hope that
the editor won’t notice or else will do something to fix it. Because it’s his
(her) baby now. You’ve given it up for adoption; whatever happens now is not your call.
A good editor will take away what is necessary without
disturbing the essence of the piece. When you are too close to be objective
what ends up in print usually makes it better and the writer will get the kudos.
Unfortunately the writer also gets the blame for a bad edit. Be prepared to
accept that fact, especially if you work as a freelance writer.
There are
the good editors, the bad ones and the
what-the-hell-have-they-done-to-my-article types. Sometimes an editor will cut
your precious words down to fit it in an advertisement. They’ve made an
embarrassing mess of your child. Bite your tongue and keep your opinion to
yourself. After a while your tongue will develop a tough epidermal layer and
you will hardly notice the pain.
A good
editor knows a lot more than just about tone and grammar and structure; a good
editor is like a good GP and knows a little bit about a whole lot. A bad
editor, on the other hand…well, I had an awful experience once (thankfully it
was just once). Every reference that would have made my piece meaningful was cut
out to shrink it and have it fit the ads on the page. I didn’t know whether to
laugh or to cry when I saw the illustration. No one had communicated the
changes to the illustrator, so the illustration made no sense to me or to anyone reading the piece.
Cutting a
piece to fit in advertisements is fine with me. Magazines make their money that
way and so do I. I just think that that particular article could have been edited
better. The options are limited when you are a freelancer. You can complain, in
which case you might not have a chance again at that market, or you might decide to never submit
there again which limits your choices, especially if you like the magazine. Or
you might hope that that editor moves on to some other publication and butchers
somebody else’s work.
Writers are
sensitive plants who, no matter how many articles they have had published,
don’t know whether or not their article is good until some editor tells them.
Be prepared to wait weeks or even months before you hear. Call or email and ask
what the policy is about the timeline, then leave it to fate. My advice is,
move on to the next project and forget about the previous one until that
precious email arrives in your inbox.
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