But is it art? Who decides when a graphic representation may be regarded as a piece of art? We discuss the merits of viewing fashion figure drawing as an art form.
Some say ‘yes’, others pipe in with a
resounding ‘no’. Clothing that is draped over the fashion figure often resembles a jumble of ideas, a pattern of
colours that degenerates into basic form
with only the mere hint of what should resemble a skirt or perhaps a decent
pair of pants. The designer cuts their cloth with the skill and dexterity of a
sculptor and assembles colour and texture with the wit and style of a painter.
Their clay is the smooth fabric that glides under their fingertips, their
paints, the swatches of fabric that is air-delivered to them on a private jet.
Not everyone agrees, as for every positive vantage point there must always be a
lone voice in the darkness.
Some say no:
Fashion is fashion, as many of the hurried
designers would say as they work off their fashion
croquis to complete a rush order. A beautiful dress, resplendent with the
intricate work of a senior designer, appears as if it should indeed hang on a
wall, framed by a gilded bracket that proclaims its status of high-art appeal.
Beauty is a by-product of the fashion designer’s quest to achieve an immaculate
concept. Fashion silhouettes hang
precariously on the wall of the aspirant designer before they are plucked and
thusly borne forth from their pearlescent imaginations. The attributes of
fashion design differ greatly from traditional art, as they have a different
emotional appeal, a different desire to fulfil.
Art has a beauty that cannot be imitated in
fashion, a complicated and chaotic role that muses on the peculiarities of our
contemporary lives. Fashion however, is an ebbing tide that flows against the
needs and wants of a hungry, decadent culture. Through the centuries, fashion
has remained on the very pulse of change, formatting itself again and again;
adapting, shifting, never remaining stable. Art is also impractical. As any fashion figure designer would point
out, their creations are practical, they can be worn until love or time has
turned them into scraps of fabric.
Others say yes:
Fashion, for some is an art, albeit a
practical one that is as much a part of our art galleries as it is a part of
our closets. If anything, designers are directly influenced by the fine art on
display in some of the more prestigious galleries that dot our globe. From New
York to Milan, top designers draw inspiration from their surroundings, including
the stately art galleries that contain eye-popping sketches, sculptures,
installations and paintings. Many period clothes are also in display in
museums, further cementing their status as important pieces that should be
revered as highly as art itself.
The
media has now accepted fashion’s particular stance as a cultural force, for these
are designs with relevant, cultural influences that appear in film, print,
theatre and many other forms of entertainment. Does academia recognise fashion
as a respected art form? For this to occur, the act of purchasing clothing
needs to be seen as an art itself, as if one is buying a million dollar
sculpture. In turn, top designers have experimented in the world of ‘pro-bono’
design and are attempting to create fashion without the interference of money
or stylistic endeavour. It is upon these
grounds that the artistic status of the fashion
figure will be decided, yet this is a perceived notion that will take many
decades to mature from larvae to idea.
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